Brian's Song is a 1971 ABC Movie of the Week that recounts the life of Brian Piccolo (James Caan), a Chicago Bears football player stricken with terminal cancer after turning pro in 1965, told through his friendship with teammate Gale Sayers (Billy Dee Williams). Piccolo's and Sayers's sharply differing temperaments and racial backgrounds made them unlikely to become friends but they did, becoming the first interracial roommates in the history of the National Football League. The film chronicles the evolution of their friendship, ending with Piccolo's death in 1970.[2] The production was such a success on ABC that it was later shown in theaters by Columbia Pictures[3] with a major premiere in Chicago; however, it was soon withdrawn for lack of business.[1] Critics have called the movie one of the finest television movies ever made.[1][4] A 2005 readers' poll taken by Entertainment Weekly ranked Brian's Song seventh in its list of the top "guy-cry" films.
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The film was the most watched movie on U.S. television during 1971 and the most watched made-for-TV movie ever with a Nielsen rating of 32.9 and an audience share of 48% until it was surpassed by The Night Stalker in January 1972.[9][10]
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Visconti fails, then, to develop characters and relationships that matter. The failure is fatal to the movie's success; but the physical beauty of the film itself is overwhelming. The world of the Lido of sixty years ago has been re-created in painstaking detail. The fashions, the entertainments, the table settings reveal Visconti's compulsion for accuracy. The photography is almost the first I have seen that is fully worthy of the beauty of Venice; the pink-and-gray city rises from waters of a glasslike smoothness, so that the water and the quality of light itself seem to suggest the presence of the plague-bearing sirocco wind. The wind brings both plague and beauty, which is its function in the Mann novel, and Visconti's mastery of visual style almost succeeds in creating the very ideas and feelings that his heavy-handed narrative entirely misses.
Zeeman spectroheliograms of photospheric magnetic fields (longitudinal component) in the CaI 6102.7 Å line are being obtained with the new 61-cm vacuum solar telescope and spectrohelio- graph, using the Leighton technique. The structure of the magnetic field network appears identical to the bright photospheric network visible in the cores of many Fraunhofer lines and in CN spectroheliograms, with the exception that polarities are distinguished. This supports the evolving concept that solar magnetic fields outside of sunspots exist in small concentrations of essentially vertically oriented field, roughly clumped to form a network imbedded in the otherwise field-free photosphere. A time- lapse spectroheliogram movie sequence spanning 6 hr revealed changes in the magnetic fields, including a systematic outward streaming of small magnetic knots of both polarities within annular areas surrounding several sunspots. The photospheric magnetic fields and a series of filtergrams taken at various wavelengths in the Hα profile starting in the far wing are intercompared in an effort to demonstrate that the dark strands of arch filament systems (AFS) and fibrils map magnetic field lines in the chromosphere. An example of an active region in which the magnetic fields assume a distinct spiral structure is presented.
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